Jazz Roots with Tom Morgan 15
WWOZ-FM, 2007 [JR-0015]
New Orleans, LA
Jazz Roots with Tom Morgan focuses on the first 40 years of jazz history, the acknowledged geniuses and forgotten greats of jazz, and the musical influences that came together to inform the brilliant American musical idiom called jazz. Produced by Tom Morgan for WWOZ-FM in New Orleans, Jazz Roots 15 features recordings by saxophonist Frankie Trumbauer & His Orchestra, and by Claude Hopkins & His Orchestra from 1932-34.
Playlist 15
[01] Opening Theme: Duke Ellington: Check & Double Check Stomp
[02] Tom Morgan ID, Intro & Comments re: Frank Trumbauer
[03] Frank Trumbauer & His Orchestra: Bass Drum Band
[04] Frank Trumbauer & His Orchestra: The Merry Month of Maybe
[05] Frank Trumbauer & His Orchestra: Crazy Quilt
[06] Tom Morgan Comments re: Frank Trumbauer
[07] Frank Trumbauer & His Orchestra: The Sizzling One-Step Medley
[08] Frank Trumbauer & His Orchestra: Love Me Tonight
[09] Frank Trumbauer & His Orchestra: Cinderella’s Wedding Day
[10] Tom Morgan ID & Comments re: Frank Trumbauer
[11] Frank Trumbauer & His Orchestra: Between the Devil & the Deep Blue Sea
[12] Frank Trumbauer & His Orchestra: Break It Down
[13] Frank Trumbauer & His Orchestra: Emmaline
[14] Tom Morgan ID & Comments re: Frank Trumbauer & Claude Hopkins
[15] Claude Hopkins & His Orchestra: I’d Do Anything for You
[16] Claude Hopkins & His Orchestra: Mushmouth
[17] Claude Hopkins & His Orchestra: Hopkins Scream
[18] Claude Hopkins & His Orchestra: He’s a Son of the South
[19] Tom Morgan Comments re: Claude Hopkins
[20] Claude Hopkins & His Orchestra: Shake Your Ashes
[21] Claude Hopkins & His Orchestra: Mystic Moan
[22] Tom Morgan Outro & ID over Jelly Roll Morton Closing Theme
A JOINT PRODUCTION
Hosted by Tom Morgan for Radio Free Amsterdam
Produced & recorded by Tom Morgan for WWOZ-FM, New Orleans
Post-production, editing & annotation by John Sinclair
Posted by Larry Hayden
Executive Producer: Larry Hayden
Special thanks to WWOZ-FM & Elysian Fields Studio, New Orleans
© 2010 Tom Morgan. Used with permission.

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